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Wednesday

Fuzzy Meadows: The Week's Best New Music (June 21st - July 11th)

Fuzzy Meadows: The Week's Best New Music (June 21st - July 11th)

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Wednesday - "One More Last One" | Post-Trash Premiere

Wednesday - "One More Last One" | Post-Trash Premiere

North Carolina’s Wednesday are set to return with their next proper album, the excellent Twin Plagues. Due out August 13th via Orindal Records (Lisa/Liza, Karima Walker, TJO), the band’s sophomore effort expands on the sounds and themes of their debut, but stretches out in territory the band have not previously explored.

Post-Trash's Best of 2021 | The Mid-Year Report

Post-Trash's Best of 2021 | The Mid-Year Report

The time to catch up on the unabridged Post-Trash “Mid-Year Report” has come, with releases big and small - albums that went under the radar, the hidden gems, and the essential records from the past six months. This is our semi-comprehensive guide to our favorite releases of the year so far without a pre-determined length.

Fuzzy Meadows: The Week's Best New Music (June 7th - June 20th)

Fuzzy Meadows: The Week's Best New Music (June 7th - June 20th)

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Fuzzy Meadows: The Week's Best New Music (May 10th - May 23rd)

Fuzzy Meadows: The Week's Best New Music (May 10th - May 23rd)

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Fuzzy Meadows: The Week's Best New Music (January 18th - January 31st)

Fuzzy Meadows: The Week's Best New Music (January 18th - January 31st)

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Wednesday - "I Was Trying To Describe You To Someone" | Album Review

Wednesday - "I Was Trying To Describe You To Someone" | Album Review

if indie rock albums could be measured by how effectively it evokes of the teenager experience, I Was Trying To Describe You To Someone would be nothing if not a triumph. The sophomore effort from the Asheville, NC quintet is a dark, deep work that captures the emotional messiness and simmering irascibility of adolescence with a searing accuracy.

Fuzzy Meadows: The Week's Best New Music (December 27th - January 12th)

Fuzzy Meadows: The Week's Best New Music (December 27th - January 12th)

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Fuzzy Meadows: The Week's Best New Music (November 25th - December 26th)

Fuzzy Meadows: The Week's Best New Music (November 25th - December 26th)

Welcome to FUZZY MEADOWS, where we recap the past week in music. We're sharing our favorite releases of the week in the form of albums, singles, and music videos along with the "further listening" section of new and notable releases from around the web.

Wednesday - "Billboard" Video | Post-Trash Premiere

Wednesday - "Billboard" Video | Post-Trash Premiere

The Asheville, NC band are making introspective rock songs rooted in dissonance, caterwauling guitars, and ragged pedal steel. Their three guitar approach is big and blistering, but their music retains a gentle quality, one in touch with Karly Hartzman’s (guitar/vocals) thoughts and surroundings. It’s dreary pop music that isn’t afraid to get messy