Tex Patrello’s limited output since her debut EP has taken the best of contemporary DIY slowcore and doused it in a dizzying solution of soft-spoken vocals and off-the-wall production. Now, at long last, she’s back, debuting the first single, “Resident Evil,” off her debut album Minotaur, out May 2nd through View No Country (Bedlocked, Deadharrie).
On their aptly-titled new single "Sharpest Edge," Brooklyn punks Family Vision present a hard hitting left turn of a banger. Progressing from the prickly no wave inspired punk of Chop Shop, the quartet lean harder into the sticky pop hooks of that record, seamlessly combining the melodic elements with sharp, darting guitar lines.
“Bird Patterns” is the first single from Drug Country, a new project from the mind of gnawing’s John Russell, based in Richmond, Virginia. The effort started off as a side project to refresh from a prolific year with gnawing, the country rock ensemble that Russell fronts.
Following a move from Knoxville to Philadelphia, The Noisy are poised to released their debut album, The Secret Ingredient is More Meat, on May 24th. Led by poet and songwriter Sara Mae, the project came together over the past year, recording together with Jacob Lawter (Slow and Steady) in Tennessee.
Feller are a new band comprised of some familiar faces, namely Pete Willson (Cafe Racer) and Ethan Toenjes (Old Coke). Set to release their debut EP, Universal Miracle Worker, on May 28th via Angel Tapes, the duo’s sound relies on something bigger than it’s skeletal make-up. There’s a bit of “post everything” at play here.
Fully Beat finds the melody-penchant quartet digging further into some of the classic shoegaze sounds and textures they explored so successfully on 2022’s Windowpane EP. Today the band is sharing “Beat,” a shimmering and subtle pop number that gives a great hint of what to expect when Fully Beat is released on May 24th.
With a weekend tour kicking off on Saturday, Dover, New Hampshire’s Tiny Wine are back at it. The duo of Chri Milton and Vertro Ubretl return four years after the release of the Archer EP with new single “Replace It,” a humming piece of lo-fi indie rock about hastily filling voids that aren’t ready to be filled.
The fourth song of the record, “Behave,” featuring Lonna Kelley of Giant Sand, is accompanied by a music video by Phoenix-based visual artist Kenaim. The videos offer a montage of beautiful, familiar scenes that quickly evolve and morph into one another effortlessly.
Eighteen Hundred and Froze to Death are back at it again with Thirds, their new record, due out June 22nd. Written over what could be described as a strange few years for the world, the band’s corrosive structures are propulsive and delightfully off-kilter, but fully realized, the push and pull working in favor of their melodic core.
Vessel’s music is dynamic, bouncing through disjointed skronk one moment and intertwined in dense melodies the next. Led by Alex Tuisku, who handles vocals and drums, it makes sense that the rhythms and hooks are given equal focus, bright spots with a locked-in pulse that allows the rest of the band to flood the mix with any and all textures.
floral print’s guide to practical living and magical thinking, due out on May 17th via the trifecta of Rope Bridge Records, Bee Side Cassettes, and Pleasure Tapes, finds the band making up for lost time with a swirling mix of ever expanding ideas, structures, and experimental pop songs that really knows no bounds.
Debbie Dopamine have been making their presence known with a shimmering intensity that produces unflinching insight into their world. On their new single "Worried," the band continue their propensity for deep diving into emotions only to come out the other side with a steely strength and empowerment that continues to bloom.
With their highly anticipated new album, Read The Air, out today, Oakland’s Marbled Eye are sharing a new music video for “Tonight,” one of the record’s many highlights, together with a track-by-track walk through courtesy of the band’s drummer, Alex Shen.
Now, Disintegration are teaming back up with Feel It Records for a full-length album that promises more electronic post-punk with a distinctly Cleveland twist.
Directed by Jen Meller, the video accompanies the storming tenacity and aggressive attitude that pours forth from the roaring beast that is Nihiloceros. The band have been treading their path in the NYC punk/underground scene for close to a decade now and haven't lost any of their bite and hostility as the track makes patently clear.
Their latest single trades the sharp energy of their past work for a more laconic feel as The Deals dig deep into slowcore textures. “Freeway” is a patient shoegaze song, slow dripped and sweetened by Joe Suihkonen and Margaret McCarthy’s gorgeous vocal harmonies.
With Verity Den’s record out now (via Amish Records), the band are getting ready to hit the road together, supporting Rosali, but before they do, they’ve shared “Live at Nightlight”. The live performance video captures the band playing both “Priest Boss” and “Prudence,” a pair of songs that highlight the different sides of their sound.
There’s a significant mood shift on Life on the Lawn; A Country Western sound clean. As the shoegaze bubble continues to expand and mutate, the band embrace a more textbook indie rock style and “The Dreamer” is Life on the Lawn’s leading example.
It’s been nearly five months since their last album, so naturally the Mason City based quartet are getting ready to release a new album, Serenading Unwanted Ballads, due out March 22nd via Feel It Records. Their latest is primarily split between balls-to-wall grooves and reverberating romanticism, but the record acts as a sonic grab bag of ideas.
While it’s been a couple years since their last record, Wallplant, now a full band, are out there doing their thing, creating bent lo-fi post-punk and power-pop that feels animated, alien, and incessant. The recently filmed Live at Jamdek session captures the band in the studio, working through songs old and new.