We're happy to present "Post-Trash's Staff Picks: The Best of 2023" as voted by the site’s wonderful contributors (including their individual lists). With 22 of our writers submitting their votes, we had 315 different records nominated and only the top nine records received a score of sixty or higher.
We're happy to present "Post-Trash's Staff Picks: The Best of 2022" as voted by the site’s wonderful contributors (including their individual lists). With 23 of our writers submitting their votes, we had 313 different records nominated (which means there weren’t many repeats) and only the top eight records received a score of sixty or higher.
As anyone who reads our “Fuzzy Meadows” column already knows, the “list” is just the beginning, and we’re always eager to add some “Further Listening” for consideration. Despite what some would have you believe, music is not a contest. We profiled many records in our “Year In Review” feature, but the fun doesn’t stop there.
We present our “Mid-Year Report," a comprehensive guide to our favorite releases of the first half of this year, without any pre-determined length or insignificant rankings. If we’re into it, we're including it (unless we plumb forgot it or just haven’t spent enough time with it… which happens, in which case our sincerest of apologies).
Poorly Drawn House are a trio from Spartanburg, South Carolina that create an intricate blend of slowcore and post-rock, with lush dynamics and creeping tension. Out now via Candlepin Records, Poorly Drawn House were kind enough to share some of the influences that lead to Home Doesn’t Have Four Walls with us.
While they were only together for three years time, Archeology proves to be an essential find, a collection of the band’s self-titled EP with six previously unreleased songs, two live tracks, and more. Regardless if you’re familiar with The Stick Figures or not, this is a great listen of a band making taut post-punk in the era of The B-52s and Pylon.
The time to catch up on the unabridged Post-Trash “Mid-Year Report” has come, with releases big and small - albums that went under the radar, the hidden gems, and the essential records from the past six months. This is our semi-comprehensive guide to our favorite releases of the year so far without a pre-determined length.
The time to catch up on the unabridged Post-Trash “Year In Review” has arrived, with all the releases we’ve grown to know and love over the past twelve months, from the smallest of DIY tape releases to the buzz bands and beyond. It’s all here… mostly. This is our comprehensive guide to our favorite records of the year without a pre-determined length.
The trio make what they describe as “guitarless guitar music,” and their sophomore album, Clot, is full of strength and menace. Built on angular progressions, swelling noise, and a never ending avalanche of eery tension. Out now via Captured Tracks, Wax Chattels were kind enough to share some of the influences that lead to Clot with us.
The time to catch up on the unabridged Post-Trash “Mid-Year Report” has come, with releases big and small - albums that went under the radar, the hidden gems, and the essential records from the past six months. This is our semi-comprehensive guide to our favorite releases of the year so far without a pre-determined length.
