On Where Does the Time Come From, the third full length from Sweet Williams, Thomas House primarily forgoes his elongated blues-y dirges of previous releases, for a tighter almost claustrophobic feel. House still uses his space wisely with well placed guitar lines knifing through pounding drums and insistent throbbing bass.
It may be a stretch to call much of anything that Sweet Williams do to be joyous, the tonality of this one is definitely more upbeat than their formula often allows. The guitars are still layered thick and with that kind of distortion that removes rust from scrapyards, each stretched progression and melodic vocal line pulled just shy of warping.
