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by: Joseph Jr. Mastel

more eaze | Feature Interview

more eaze | Feature Interview

As of late, claire rousay and more eaze (Mari Maurice) have made some of the most creatively intriguing, weirdly catchy, strangely hypnotic, and wildly avant-garde electronic and ambient music. Post-Trash chatted through Zoom with more eaze about no floor, the creative process, and her friendship with claire rousay.

Porridge Radio | Feature Interview

Porridge Radio | Feature Interview

Over the past few years, Porridge Radio have become one of the most exciting bands, consistently putting out excellent records. They recently announced their break up and a new EP, The Machine Starts To Sing, which is out today. The EP acts as a continuation (or a sequel) to Clouds In The Sky They Will Always Be There For Me and is undoubtedly just as fantastic.

Thurston Moore - "Flow Critical Lucidity" | Album Review

Thurston Moore - "Flow Critical Lucidity" | Album Review

Thurston Moore has been quite busy as of late. His most recent release, Flow Critical Lucidity, is a brilliantly crafted album. With the help of poet Radieux Radio, it manages to be a worthwhile time showcasing Moore’s immaculate musicianship, still unsurprisingly fascinating.

A Place To Bury Strangers Promise to Keep It Forever Intense | Feature Interview

A Place To Bury Strangers Promise to Keep It Forever Intense | Feature Interview

What's incredible about APTBS’ Synthesizer is that despite being extremely aggressive, frantic, and harsh, it also manages to be stunningly beautiful, super catchy, and very human. Oliver Ackermann spoke to Post-Trash about the record, playing intense live shows, and his company Death By Audio.