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by: Ian MacPhee

Matthew Mast - "Born Again" | Post-Trash Premiere

Matthew Mast - "Born Again" | Post-Trash Premiere

The New York artist recently announced his upcoming album Of All The Endings due October 23 via V.A.S.P. Legacy. A brooding cocktail of chugging guitar, warbling synths, and honest, revealing lyrics, Of All The Endings is sonically bleak but trickles of hope and optimism seep through the cracks.

Freak Heat Waves - "Zap The Planet" | Album Review

Freak Heat Waves - "Zap The Planet" | Album Review

Freak Heat Waves are back with their latest album Zap The Planet. The new release finds the two-piece dipping into darker musical territory, and it’s their most realized work to date. Zap The Planet is an experiment in cold, warped synthesizer and 80’s drum machines, and the songs are alluringly ominous.

Helvetia - "This Devastating Map" | Album Review

Helvetia - "This Devastating Map" | Album Review

Helvetia is back with the charmingly lo-fi This Devastating Map. The solo project of Jason Albertini, an original member of Duster and former bass player for Built to Spill, each release from Helvetia manages to sound different from the last, yet usually sits within a common realm: fuzzy, home recorded psych-pop music.

Powerwasher - "The Power of Positive Washing" LP | Post-Trash Premiere

Powerwasher - "The Power of Positive Washing" LP | Post-Trash Premiere

The music of Powerwasher is snarling, frantic, and uncontainable. Hailing from Baltimore and Atlanta, the band’s debut album The Power of Positive Washing is anxiety-inducing in the best way possible. The songs ooze style and melody, and the band’s use of odd time signatures and neck-jerking transitions keeps you on your toes.

Beauty Pill - "Sorry You're Here" | Album Review

Beauty Pill - "Sorry You're Here" | Album Review

In 2010, Taffety Punk Theater Company premiered the dance play suicide.chat.room. Ten years later, the previously unreleased score by Beauty Pill, Sorry You’re Here, was finally made public. The score, created by Chad Clark, feels cold and dystopic, yet is delicate, human, and holds its own as a powerful piece of music about a difficult topic.