NEWS — POST-TRASH Post-Trash Facebook Post-Trash Twitter

by: corey sustarich

Snooper - "Snõõper" | Feature Interview

Snooper - "Snõõper" | Feature Interview

Blair Tramel and Connor Cummins (of Spodee Boy) are the tape and glue that make up the auditory collage and Nashville band, Snooper. Unrestrained by the flatness that sound alone can sometimes pose Blair uses her handmade props and visual animations as propulsion for the songwriting process.

Kneeling In Piss - "Types of Cults" | Album Review

Kneeling In Piss - "Types of Cults" | Album Review

Pinpointing our modern hell in a few brief punk songs, Kneeling In Piss gives us more. Types of Cults is their fourth release and their third EP from a series of recordings made over the last year. Signature to the band’s sound is finding that right piece of music and playing it until it’s all used up, with a “concrete lack of skill.”

Trace Mountains - "Lost In The Country" | Album Review

Trace Mountains - "Lost In The Country" | Album Review

Larger than the sum of its parts, Trace Mountains’ Lost in the Country is honest and lasting. Each little hook, vocal flair, snare hit. The songs keep an enduring pace, excited to get moving, even if it’s just to the woods out the front door. The drum kit hikes the path so the lyrics can admire the world and the melody can whistle along the way.

Deliluh - "Beneath The Floors"

Deliluh - "Beneath The Floors"

A swirling pot of crooked hooks, haunting textures, and looming melodies make up Deliluh’s latest, Beneath the Floors. “Conceived under the gun” of an expiring visa and recorded in an old veteran’s hall, the album demonstrates their accomplishment in creating ten sinuous songs, working with what they had in the time they were given.

Bethlehem Steel - "Docking" | Album Review

Bethlehem Steel - "Docking" | Album Review

Led by Becca Ryskalczyk, the recently transplanted Brooklyn-based band have generated a handful of songs checkered with fuzz, soft vocal melody, punctuating bass, and sinuous drums. The sometimes quivering, sometimes belting voice of Ryskalczyk maintains a sense of order and control over the ever-shifting dynamic.