Los Angeles based singer-songwriter Dominique Matelson has just released her new record The Instruction Manual. Post-Trash caught up with her to discuss her relationship with her voice, the circumstances surrounding the creation of her new album, what compels her to make art, reinventing yourself during a pandemic, and more.
Trevor Nikrant is one-third of Nashville’s Styrofoam Winos. This past November, he released Tall Ladders, a riveting collection of psych-tinged pop and folk rock, traversing a vast spectrum of settings and psyches. Post-Trash’s Joe Guiterrez met up with Nikrant to chat about his songwriting process, David Berman, and Nashville.
Fievel is Glauque recently released an astounding record called Aérodynes EP, a wild batch of expansive and groovy tracks that showcases the band’s melodic and compositional virtuosity. Post-Trash’s Joe Gutierrez reached out to Zach Phillips and Ma Clément, chatted a bit, and explored their genesis, influences, process, and more.
Last year’s Do You Like Salt? takes a magnifying glass to consumerism, careerism, food systems, entertainment, and animals, blending it all up and radiating mystifying turns of phrase over frantic, angular collages of noise and melody. Throughout our conversation we discussed BRNDA’s history as a group, their relationship with D.C., and the albums they treasure most.
Styrofoam Winos is a shimmering quilt of folk, rock, post-punk, soul, pop, and country, stitched together by three incredibly strong and worth-listening-to Nashville singer-songwriters: Lou Turner, Trevor Nikrant, and Joe Kenkel. These are incredibly versatile, never in danger of sounding bland, never at risk of repeating themselves.
Spiral Wave Nomads reach a little further, drawing influence from free improvisation, jazz, noise, raga, folk, and ambient music, mapping out a vast galaxy of guitar swirls, bass bellows, and drum storms. Eric Hardiman and Michael Kiefer combine their powers to quilt together a delicious menagerie of tunes.
When one door slams shut, another creaks ominously open. Such is the case with Easthampton’s Editrix, New England guitarist Wendy Eisenberg’s post-Birthing Hips continuation of spellbinding guitar and tongue-in-cheek take-downs. The four tracks on debut Talk To Me serve as a thrilling introduction to this special new band.
The world that exists in Louisville’s State Champion’s Send Flowers is one cloaked in profound absurdity. It’s a place where you might lose your soul in “a gentleman’s hall in Tijuana” and have the manager offer to send it back home to you if he finds it, where cicadas harmonize with dial tones, where you can “unplug the stars from the sky.”
