Power-driven and reckless at its core, Upchuck’s newest album Bite The Hand That Feeds demands listener attention. The Atlanta based post-punk group bring listeners through a fluid and twisted but expressive journey. With production from Ty Segall, distortion and garage-rock attentively weave their way into Upchuck’s unique sound.
Providence mega group Mulva (members of Kal Marks, Bethlehem Steel, Ex-Breathers, and Baglady) are back with their full-length follow-up to last year’s crushing Seer EP. Bitter Form is due out March 1st via Sad Cactus, and if “Ward Them Off” is any indicator of what’s to come, it’s best to keep an ear out.
Great Grandpa made a splash with the phenomenal Four of Arrows in 2019. Since then, they’ve been working on a wide assortment of personal projects. Among them is Freak Accident, the latest release from Al Menne, the bands’ lead singer - a record that finds him hitting his most intimate, personal, and soft spoken songwriting moments yet.
Hot Garbage’s brand new sophomore album, Precious Dream, is a foray into the limitless liminal spaces of disorientation; its goal is to find solace in the chaos, to laugh in the face of cruelty. Juliana Carlevaris (bass/vocals) spoke with Post-Trash about inspiration, experimentation, and the mysticism at the record’s core.
Toronto’s PACKS return with Melt the Honey, their third full length and their second within a span of a year, continuing to cover new ground as they go. Fronted by Madeline Link, their sound plays from a controlled burn of garage rock, anti-folk and the barebones of pop-eccentricism, redefining the mundane with gasps of fixation and sincerity.
Variety, a new band led by Rhys Woodruff (Borzoi, Leche) has arrived. While best known as a drummer/vocalist, he’s moved beyond the kit to write, perform, and record the entirety of Variety’s debut single, equal parts arty punk and deranged alternative rock. “Plover” is a triumphant introduction, a jittery song that feels knotted yet supremely hooky.
Evoking Marvin Gaye, Ngonda’s falsetto and beautiful orchestration is a modern interpretation of the classic soul music many of us grew up on. It’s hard not to immediately feel a sense of nostalgia for Motown oldies and soul when listening to the tight instrumentation and themes of unrequited love, heartbreak, and becoming a better person.
The Philly / New Brunswick band, led by Quinn Mulvihill, have ventured beyond the digital realm into a dense form of swarming shoegaze and layered slowcore. Working together with Tim Jordan (Sun Organ) at Blood Red Sky, Glaring Orchid’s full length debut arrives fully formed, with equal parts graceful nuance and blaring distortion.
On a wet December morning, Post-Trash caught up with Blonde Redhead drummer and percussionist, Simone Pace, who spoke with us from his home in upstate New York. Pace shed some light on the making of Sit Down for Dinner, the unexpected role a canceled tour with Tool played, and the best feline cameo on an album.
Safe To Run captured Esther Rose’s potential, both as a songwriter and performer. Maybe it was just a natural progression, but she seems to have reached her full musical maturity. It’s expressed in the fact that when she writes her songs she’s able to envision them in a number of versions, with almost each one being the right one.
London duo Grazia are here for the sleaze punks, making clean and rattling garage punk with heavy pop hooks and minimalist structures. Their sound is catchy, indebted both to 80’s new wave and a more radiant KBD sound, each song on their upcoming debut, In Poor Taste, packing a gluey charm that’s hard to resist.
After upgrading from Version 1 to Version 2, the band started producing luscious, gossamer shoegaze tracks that draw on digital soundscapes. Along with a drum and bass track at the end of each, this is what made up their first two demos. Now with their latest, infinity signature, the band continue this sound, further developing a new world.
Olympia’s Physique have returned with Overcome By Pain, a blistering six track EP on Seattle’s Iron Lung Records, giving a form to the noise of the body – the body reacting to the deep silence keeping this rotten imperialist foundation in place. Fresh off February’s Again, Physique continue their d-beat bombardment.
